A few examples of appraisal values for
THE LAST FURROW

• A single furrow two-wheeled hand
  A single furrow two-wheeled hand plough
• § GILBERT BAYES (BRITISH 1872-1953) POSSIBLY
  § GILBERT BAYES (BRITISH 1872-1953) POSSIBLY 'THE END OF THE FURROW', 1893 silvered metal relief, signed and dated (lower left), with ebonised framepanel 19cm (7.5in) high, 61.5cm (24 3/4in) wideLiterature: Irvine, Louise and Atterbury, Paul, 'Gilbert Bayes: Sculptor 1872-1953', Richard Dennis, 1988, p.108
• The Trappers Last Shot American
  The Trappers Last Shot American Lithograph American 19th century The Trappers Last Shot lithograph; 17.75 x 23.5 in. Condition: Some minor foxing. margins have been rimmed.
• Nathaniel Currier/ Publisher "The
  Nathaniel Currier/ Publisher "The Last War-Whoop" 1856 hand-colored large folio lithograph heightened with gum arabic published by N. Currier 152 Nassau St. New York after A.F. Tait sheet 21 1/2 in. x 27 1/2 in. framed and matted.
• A two-handled five furrow harrow
  A two-handled five furrow harrow with single wheel to the front
• Franz Van Severdonck painting (Belgian,
  Franz Van Severdonck painting (Belgian, 1809-1889), sheep resting in a field, French title inscribed verso, signed lower left "F Van Severdonck/ft 1874" and verso on label "F. Van Severdonck", oil on panel, 7 x 10-1/4 in. sight; 19th century gilt wood and composition cove-molding frame with acanthus, laurel leaf and berry decoration. Repaired split left edge 2-3/4 in. with retouch, craquelure, uneven varnish layer (possibly bonding resin); frame with some loss to gilding and surface.
• Custer chromolithograph, "Custer's
  Custer chromolithograph, "Custer's Last Fight", 1896 edition after Otto Berker, published by The Milwaukee Litho. and Engraving Company for Anheuser-Busch Brewing Association, 48-1/2 x 38 in.; original 19th century oak frame. 21 in. tear from right edge through center, creases, water stains at bottom, surface rippling; frame with abrasions. Collection of Courtney Smith, Sr., Highland Springs, Virginia.
• FRANK E. COX WATERCOLOR ON PAPERFRANK
  FRANK E. COX WATERCOLOR ON PAPERFRANK E. COX (England, fl. 1870-1894) watercolor on paper, "The Last Look," a soldier turns in his saddle as he rides away from a young woman and her mother standing at the door of their cottage with chickens in the road. Signed lower left. Image measures 35.5" x 28.5". In a period gilt wood frame; 47" x 40.5" overall. Artist's London address on verso.
• David Urquhart Wilcox (New York,
  David Urquhart Wilcox (New York, 1876-1941) "The Last Load, Salt Haying, Lyme, Connecticut", signed lower right "Urquhart Wilcox" and titled on old label verso, oil on canvas, 24-1/8 x 28 in., painted wood frame,
• GUILLAUME AZOULAY. THREE UNFRAMED
  GUILLAUME AZOULAY. THREE UNFRAMED ETCHINGS Two of "Embuscade" and one of "Last Furlong," each pencil signed, sheet sizes: 22 1/4 x 30 in.
• PASTEL DRAWING - 1930s Regionalist
  PASTEL DRAWING - 1930s Regionalist image of man at plow ca. 1500 by Joseph J. Gould (PA 1880-1935) wreath arrowhead and ribboning over clouds above medieval walled village in background rolling fields. Frame: water gilt molded beaded ranks cream ma
• Robert Pummill ''Last of the Strays''
  Robert Pummill ''Last of the Strays'' oil paintingon canvas. Canvas: 20''H x 30''W; Frame: 29''H x 39''W. Signed and dated lower left ''Pummill 80''; titled verso. Robert Pummill (American b. 1936) paints historical western frontier genre scenes.
• GUILLAUME AZOULAY. THREE UNFRAMED
  GUILLAUME AZOULAY. THREE UNFRAMED ETCHINGS Two of "Last Furlong" and one of "Libre," each pencil signed, sheet sizes: 22 1/2 x 30 in.
• CURRIER & IVES "HAYING-TIME: THE
  CURRIER & IVES "HAYING-TIME: THE LAST LOAD" PRINTFrances "Fanny" Flora Bond Palmer (American, 1812-1876) and John Cameron (Scottish, 19th c.) for Currier and Ives, United States. Lithograph titled "Haying -Time: The Last Load," depicting an ox-driven cart laden with hay with two young children seated atop the pile and a farmer following behind, 1868. Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 2989, page 314. Provenance: Distinguished Corporate Collection, Ohio. Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907. Sight; height: 18 1/4 in x width: 25 in. Framed; height: 28 1/2 in x width: 34 3/4 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• Last One In by Orville Bulman Orville
  Last One In by Orville Bulman Orville Bulman (American 1904-1978). Oil on canvas signed l.l. titled and dated 1976 on verso; 16 x 13.5 in. (sight)
• Painting after Frans Snyders, The
  Painting after Frans Snyders, The Boar Hunt, two men with pitchforks fending off a razor-back boar from a pack of hounds, after Frans Snyders, Flemish, 1579-1657, oil on canvas, 19th century, 38 x 53 in.; 20th century gilt wood frame. Original stretcher and tacking edge, crackle, cupping, flaking, craquelure, small repairs to punctures verso with related scattered retouch recto with most areas in top half of canvas; frame with abrasions.
• DAVID BURLIUK O/B PASTORAL PAINTING,
  DAVID BURLIUK O/B PASTORAL PAINTING, FILLING THE TROUGH...David Davidovich Burliuk (New York/Russian Federation/Ukraine/China, 1882-1967) small oil on canvasboard pastoral painting rendered with impasto depicting a peasant woman drawing water from a well to fill a trough as a red horse and group of ducks approach; a farmhouse is partially visible in the background. Signed "Burliuk" to lower right. "Atelier" canvasboard label affixed, en verso. Lido Galleries label affixed, en verso of frame. Housed in a giltwood frame with a green-painted accent and canvas liner. Sight: 7 1/2" H x 9 1/2" W. Framed: 13 3/4" H x 15 3/4" W. Biography: "Born into a privileged class of Russian Society, David Burliuk became a central figure in the history of the Russian avant-garde movement as an accomplished poet, art critic, and exhibition organizer. He studied at the Kazan School of Fine Arts in 1898, then in Odessa, Moscow, Munich, and in Paris at the Ecole des Beaux-Arts; however, as a breaker of artistic tradition, he found himself expelled from the Moscow Institute in 1911. His early works were Fauve-like and were exhibited with the Blue Riders in Munich. With the advent of World War I, he left Russia and traveled for four years. He moved to America in 1922 and settled on Long Island where he continued to paint until his death in 1967." (Source: Michael David Zellman, 300 Years of American Art) Condition: Overall very good condition. Frame with minor scattered surface wear.
• Baktiari rug, rows of geometric
  Baktiari rug, rows of geometric elements on green/olive field, 4 ft. 2 in. x 6 ft. 7 in. Selvedge frayed and worn, generally even low pile, no threadbare areas found, 1 in. end loss each end.
• PATRICIA TOBACCO FORESTER: "LAST
  PATRICIA TOBACCO FORESTER: "LAST WARREN TREES"etching; signed in pencil lower right; titled and numbered 12/50 lower left; 18 3/4 x 24 3/4 inches Condition:
• SARAH CHURCHILL (British 1914-1982).
  SARAH CHURCHILL (British 1914-1982). THE LAST CAVALRY CHARGE I WAS OVERPOWERED BY A SENSE OF DEEP AND IRREPARABLE LOSS and A HOBBY IS OF THE FIRST IMPORTANCE TO A PUBLIC MAN: THREE WORKS signed and noted AP in pencil lower margin. Lithograph with embossing - Two framed image: 20 in. x 16 in. and one unframed
• WINSLOW HOMER (AMERICAN, 1836-1910)
  WINSLOW HOMER (AMERICAN, 1836-1910) THE LAST DAYS OF HARVEST ALONG WITH WATCHING THE CROWS LITHOGRAPH: 7 X 8 1/4 IN. (SIGHT)Framed; lower right inscribed '77. The Last Days of Harvest / Harper's Weekly, December 6, 1873. (Cat. 82)'; WATCHING THE CROWS: 6 3/4 x 4 1/4 in. (sight), framed; lower right inscribed '35. Watching the Crows / Our Young Folks, June 1868 (Cat. 53)' (2) Lithograph: 7 x 8 1/4 in. (sight) Provenance: Estate of Ronald Sperling
• THE LAST WORKS OF HENRI MATISSE,
  THE LAST WORKS OF HENRI MATISSE, LITHOGRAPHS, 1958 Pierre Reverdy and Georges Dethuit, Harcourt, Brace and Company, lithographs from Verve 35/36 printed in color by Mourlot Freres, heliogravure in b&w by Draeger Freres, complete with all plates including multiple gatefolds, hardcover in jacket, 186 pages, all color lithographs present, 14.5"h x 10.5"w
• THE LAST WORKS OF HENRI MATISSE,
  THE LAST WORKS OF HENRI MATISSE, LITHOGRAPHS, 1958 Pierre Reverdy and Georges Dethuit, Harcourt, Brace and Company, lithographs from Verve 35/36 printed in color by Mourlot Freres, heliogravure in b&w by Draeger Freres, complete with all plates including multiple gatefolds, hardcover in jacket, 186 pages, all color lithographs present, 14.5"h x 10.5"w
• Currier Ives print: "Custer's Last
  Currier Ives print: "Custer's Last Charge", 1876, stylized depiction of Custer's last cavalry charge. 13 1/2" x 9 1/2".
• PRINT THE TRAPPER'S LAST SHOT.
  PRINT THE TRAPPER'S LAST SHOT. American 2nd half-19th century. Engraving by Booth after a painting by Wranney showing a trapper with rifle on horseback. Imperfections. In a frame 22.5''h. 29''w.
• Important puzzle courtship fraktur,
  Important puzzle courtship fraktur, bird's-eye plan with a grove of trees with rose garland and tulips with verse "I am constrained to plant a grove,/To entertain, the Maid I love,/This grove she says, must be compos';d,/Of ninteen trees and nine straight rows,/Five trees in every row must place,/Or never expect, to see her face,/Ye men of art, and knowledge crowned,/Help me to work, and try the ground,/That this fantastic grove may hide,/The blushes of my yielding bride.", watercolor and ink on double-page paper, Pennsylvania, circa 1780-1820, 11-7/8 x 15-1/8 in.; 19th century gilt wood frame. Splitting at top middle with minor loss at edge, toning, fading, stains; frame with abrasions. Frank L. Horton Collection, Winston-Salem, North Carolina
• Remarkable Sixth Plate Daguerreotype
  Remarkable Sixth Plate Daguerreotype of a Heavily Armed Trapper Anonymous sixth plate daguerreotype of a trapper or hunter striking a resolute pose. Dressed for winter he wears a heavy wooljacket and fur cap. He displays a full stock percussion rifle for the camera and is further outfitted with Colt model 1849 pocket revolver knife belt axe powder horn and fine leather hunting pouch. Strapped to his back is a large bundle of furs or fur-wrapped bedroll. Housed in a full leather case separated at the spine. Found recently in North Carolina. A stunning image. Condition: Solarization at mat edges.  Two small circles of discoloration centered on the gold tinting on the buckles of the trapper's belt and strap.
• AFTER FRANCIS PALMER & JOHN CAMERON:
  AFTER FRANCIS PALMER & JOHN CAMERON: TWO WORKSeach colored engraving, framed under acrylic; each published by Currier and Ives; comprising "Haying-Time. The First Load" and "Haying-Time. The Last Load"; Provenance: The Estate of Sally W. Rhodes, Corona Del Mar CA each 19 1/2 x 27 1/2 inches sight; 26 1/4 x 34 1/4 inches frame Condition:
• J. GOARD, ?THE LAST LOAD HOME?,
  J. GOARD, ?THE LAST LOAD HOME?, OIL LANDSCAPE J. Goard (European, likely British 19th century), ?The Last Load Home?, oil on canvas, rural landscape scene depicting a horse drawn hay cart with multiple buildings in the distance, signed, indistinctly dated, and titled to lower margin, framed. Provenance: From the Private Collection of Bebe & Earl Lou Leonard, Atlanta, Georgia. Approximate dimensions: Canvas h. 25. 25?, w. 32. 25?; Overall h. 31?, w. 38?, d. 2. 75?.
• ALBRECHT DURER (AFTER), WOODCUT
  ALBRECHT DURER (AFTER), WOODCUT ENGRAVING, 1510 After Albrecht Durer (German,1471-1528), "The Last Supper. The Large Passion" (Hollester 114), from the Latin text edition of 1511 (text on reverse sheet), initialed and dated in plate, 15.5"h x 11"w (sheet)
• Pastoral landscape, the foreground
  Pastoral landscape, the foreground depicting several towering barren trees with a flock of sheep nearby; color engraving; 21 1/4" x 27 3/4"; illegible pencil signature lower right.
• After James Baillie Fraser (British,
  After James Baillie Fraser (British, 1783-1856) "The Junction of the Touse and Pabur" and "The Ridge and Fort of Jytock", pair of hand-colored aquatints, engraved by Robert Havell & Son, published in 1820, London. Glazed, matted and framed en suite.
• Lady's fur coat
  Lady's fur coat
• Fur Coat fine ivory color.
  Fur Coat fine ivory color.
• HOWARD FINSTER "THE WORK OF THE
  HOWARD FINSTER "THE WORK OF THE LAST DAYS". Georgia/Alabama (1916-2001). Enamel on metal disc dated 1979. Wear and loss. 22" dia.
• Union Civil War cavalry shell jacket,
  Union Civil War cavalry shell jacket, dark blue wool with yellow trim, 12 buttons down front, two buttons on right collar, stamped inspection mark on lining of proper right sleeve "…U.S. Insp…", four crude slash marks (possibly owner's ID), interior of left sleeve stamped "Eaves", generally good condition, some sleeve linings loose, some fraying and minor losses to trim, some buttons reattached, lacking one sleeve button and two collar buttons ; blue cotton pants with white wool stripe, scattered rust and losses, lacking several buttons or rivets, stripe with scattered pest damage. Private Collection